I've been creating original album art, gig and festival posters, and matching digital assets for web use since 2012. I'm always happy to work with artists who have a clear vision for their designs, but if you don't happen to be that person, we'll start by figuring out how best to visually represent your project - collaboration is key, and it's my favorite part of the process!
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
Kevin Crawford, Colin Farrell, and Patrick Doocey's "Music and Mischief." I loved adding the little details that give this design a light-hearted feel to match the detail, and the cast of characters involved.
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
The Paul McKenna Band's "Paths That Wind."
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Ivan Goff and Renee Anne Louprette's "Bright Vision." This recording features uilleann pipes and pipe organ, making it pretty difficult to represent visually in a literal fashion. Ivan and Renee wanted something bold and modern to reflect the innovative nature of their project.
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Shannon Quinn's "The Watchmaker."
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Nathan Gourley and Laura Feddersen's "Life is all Checkered." This design has a comfortable and homey feel about it, and in fact all the imagery was created within one city block of Laura and Nathan's home, where it was recorded. The checkerboard pattern in the liner notes and on the disc was hand-drawn by Laura, which adds an organic touch.
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Mike Katz and Alasdair White's "Best Sets." This was a fun one! We decided on a loud tartan pattern to serve as a motif throughout the design, being at the same time light-hearted and traditional (sort of).
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Nathan Gourley and Joey Abarta's "Copley Street." Joey and Nathan commissioned an original paper cut of their house on Copley Street, which we scanned and colored for the cover of this album, giving it a homemade feel. I used an antique map of their neighborhood in Boston as a background image for the liner notes inside.
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Mike Vass's "Save His Calm."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Dylan Foley and Dan Gurney's "Irish Music from the Hudson Valley."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Will Woodson, Caitlin Finley, and Chris Stevens' "The Glory Reel,."
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Shannon Quinn's "If All the Young Ladies." Shannon and I had a brilliant time shooting at a shuttered vacation resort, which offered a wonderfully colorful and overgrown setting for her photographs. The pattern in the lyric book is taken from some vintage wallpaper I photographed at a historic home in Ohio several years earlier.
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
Alan Murray, Dan Lowery, and Colin Farrel
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